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Monsoon Malabar
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Monsoon Malabar

Journal

Monsoon Malabar
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Bridging gaps in arts coverage and offering alternative perspectives, Monsoon Malabar's Journal features untold stories, exhibition reviews and interviews with emerging and established artists.

 
 
May 20, 2022

The Magnificent World of Surrealism

May 20, 2022/ Radhika Iyengar
The Magnificent World of Surrealism

Out of the grim shadow of the First World War came the unbridled flourish of Surrealism. Over a hundred years later, Surrealist art is more significant than ever before. Delhi-based writer Radhika Iyengar writes about three surrealist artists from the Indian subcontinent: Bharti Kher, Arpita Singh and Rithika Merchant.

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May 20, 2022/ Radhika Iyengar/ Comment
Article
covid-19, visual art, artist, art show, paintings, sculpture, solo show, Venice Biennale, Biennale di Venezia, Venice, Bharti Kher, Rithika Merchant, Arpita Singh, women, women artist, surrealism, surrealist, surreal, watercolours, Watercolours, Parasol Unit, Uncombed, Unforeseen, Unconstrained, Conservatorio di Musica Benedetto Marcello, First World War, Salvador Dali, melting clocks, lobster telephone, André Breton, Cecilia Alemani, The Milk of Dreams, Leonora Carrington, Surrealism Beyond Borders, Tate Modern, Sotheby's, Surrealism and its Legacy, René Magritte, Paris, The Lovers II, Radhika Iyengar
 

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