Review of 'Mūḷ Māthī'

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Review of 'Mūḷ Māthī'

Back in 2021, Dior’s Creative Director, Maria Grazia Chiuri, collaborated with the Chanakya Atelier to reinterpret Madhvi and Manu Parekh’s paintings as hand-embroidered textile panels. Embroidered over the course of three months using both traditional Indian and couture techniques, these panels formed the backdrop for Dior’s spring-summer haute couture 2022 show at Musée Rodin in Paris. The tapestries travelled back to India last month, where they were on display at a special exhibition, Mūḷ Māthī, curated by the Asia Society India Centre at Snowball Studios in Mumbai.

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A Review of N.S. Harsha: Stomach Studio

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A Review of N.S. Harsha: Stomach Studio

In Stomach Studio, Harsha’s first solo exhibition in New Delhi — currently showing at Vadehra Art Gallery — the artist keenly observes our current pandemic-ridden world with both humour and despair. Comprising a cast of outlandish characters, from an octopus-headed lamp-lighter to mutant rats making love, his works —ranging from quotidian to supernatural — allude to a sense of eccentricity as well as perceptive socio-political awareness. We asked New Delhi-based writer Riddhi Dastidar to review the exhibition.

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In Conversation With Rajesh Soni

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In Conversation With Rajesh Soni

Rajesh Soni is a third-generation artist from Mewar, Rajasthan, who specialises in hand-colouring and painting photographs. His grandfather, Prabhu Lal Soni (Verma), was an artist and the personal photographer of Maharana Bhopal Singh of Mewar. His skills of overpainting photographs were passed down to Rajesh through the intermediary of his father Lalit. Rajesh talks to us about his longstanding collaboration with Udaipur-based photographer Waswo X. Waswo, an outcome of a rather serendipitous meeting.

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In Conversation With Arshi Irshad Ahmadzai

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In Conversation With Arshi Irshad Ahmadzai

Arshi Irshad Ahmadzai works with a range of mediums, from painting and printmaking to embroidery on textiles. While her artistic practice is primarily concerned with women and the space that they occupy, it is also informed by personal experience. Well-versed in Urdu, Persian and Arabic, language and script find their way into her artworks as well.

Arshi’s new exhibition and debut solo show, which opened at Blueprint 12 in New Delhi, showcases her latest work, Nafas or The Isolation Diaries. We caught up with the artist to talk about Nafas, her use of textiles in her work and her idea of home, while she lives and works between Kabul and New Delhi.

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